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But it’s also about jealousy, power dynamics and our relationships with our own childhoods. But the filmmaking is what makes this a classic, particularly the energy, wit and style with which Lee presents this microcosm and the social forces at play inside it.—Bilge Ebiri, It’s no exaggeration to say that Akira Kurosawa’s Rashomon redefined cinematic storytelling. One of the most romantic films ever made about the pains and purity of first love, the immaculately styled The Umbrellas of Cherbourg challenged the lighter Hollywood musicals of the era (like The Sound of Music and My Fair Lady) and launched the sensational Catherine Deneuve into international stardom. Often regarded as the funniest of the Marx Brothers’ oeuvre, the film is also—sadly—timeless, as its portrayal of a war-mongering dictatorship remains relevant to this day.—Anna Smith, An unlikely pick? And it’s all topped off by Harrison Ford’s pitch-perfect Indiana Jones, a model of reluctant but resourceful heroism (look at his face when he shoots that swordsman). With Sanjay Dutt, Ajay Devgn, Fardeen Khan, Bipasha Basu. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), 54. 5 of 7 people found this review helpful. The Dark Knight is one of those rare examples of how a sequel can actually be a worthwhile film on its own. Put on the gloves and LaMotta is in his element; take them off and he’s an insecure sociopath consumed by sexual jealousy. David Lynch’s glamorous nightmare of Los Angeles is dense with mystery, terror and uncanny sexiness—themes that had long been a constant of the auteur’s work, but which here reached their lurid apotheosis.—Abbey Bender, The pinnacle of Italian Neorealism, Vittorio de Sica’s postwar masterwork exemplifies the movement’s socioeconomic concerns, maneuvering its stylistic conventions with heartbreaking poignancy. These must-see movie night picks will appeal to the whole family and are packed with great messages and role models. It can also be considered an angrier film, slamming both the controlling TV networks (represented by Ed Harris’s messiahlike Christof) and us, the viewing public, for making a game show of other people’s lives.—Phil de Semlyen, Notions of masculinity, conflicted sexuality and tribal identity (or lack of it) boil beneath the surface of David Lean’s historical epic like magma. This film is arguably his sharpest and most psychologically complex; inarguably, it’s his bitchiest. Women on the Verge of a Nervous Breakdown offers juicy roles for a range of Spain’s finest female actors (plus a charmingly baby-faced Antonio Banderas) and consistently delights with its creative choices in costuming and interior design. Eternal Sunshine of the Spotless Mind (2004), 90. Like an Hieronymus Bosch masterpiece, the images here can never be unseen.—Phil de Semlyen, Writer-director Michael Mann’s heist masterpiece put two of our greatest actors, Robert De Niro and Al Pacino, together onscreen for the first time—one as a stoic master criminal, the other as the obsessive cop determined to bring him down. With a noir-inspired aesthetic and a haunting synth score by Vangelis (a massive influence on Prince), Blade Runner is iconic not just for its era-defining look, but also for its deeper philosophical examination of what it means to be human. Wrong Turn is a bloody, grotesque horror franchise that's reminiscent of other cannibal hillbilly horror films such as Wes Craven's The Hills Have Eyes.Though most of the film's installments went direct-to-video, the franchise still has a popular cult following.. Most Anticipated New Indian Movies and Shows. IMDb is the world's most popular and authoritative source for movie, TV and celebrity content. M is like a sonar listening to a pre-Nazi Germany on the cusp of shedding its humanity.—Joshua Rothkopf, Set in (eek!) Most wonderfully, this comedy best celebrates the rule of wit: He—or, more often, she—with the sharpest tongue wins. Daniel Plainview is, in the final analysis, an ultra-scary Daniel Day-Lewis who will drink your milkshake. Tomatometer rankings of the top 100 best movies of 2020 and all time. As ever, the star had the last laugh: Not only was the film a huge commercial success, it also ended on the most heartbreaking close-up in cinema history—the peak of the reaction shot (since cribbed by movies from La Strada to The Purple Rose of Cairo), no dialogue required.—Joshua Rothkopf, There’s never a bad time to revisit one of Jean Renoir’s great masterpieces (along with The Rules of the Game), but this current era of populists, nationalists and shouty rabble-rousers feels like a particularly good one. As one of the great directors of Hollywood’s golden age, Billy Wilder excelled across a variety of cinematic types, but this hard-boiled gem is his most influential work.—Abbey Bender, The first in a five-film autobiographical series, Francois Truffaut’s The 400 Blows is the story of Antoine Doinel (Jean-Pierre Léaud)—stuck in an unhappy home life but finding solace in goofing off, smoking and hanging with his friends—and it’s cinema’s greatest evocation of a troubled childhood. It’s a triumph of buried political commentary and purest epic cinema. The second this love story opens, you sense you are in the hands of a master. A man is sandwiched between his over possessive wife and a police inspector, where he is suspected for adultery and murder. Our favorite joke? Directors David and Jerry Zucker and their partner in extreme silliness, Jim Abrahams, truly threw the kitchen sink at this dizzying spoof of the ’70s disaster movies that were all the rage at the time. Adorned by Linklater’s signature effortless rhythms, the film bottles the fleeting spirit of time, maturing into a reflective meditation on life’s ordinary moments.—Tomris Laffly, Movies have always been a gateway into radical art; Hollywood may have made them sleek and accessible, but experimentation was there from the start. If the movie were any more hard-boiled, you’d crack your teeth on it.—Phil de Semlyen, Exploding drummers, amps that go to 11, tiny Stonehenges, “Dobly”: This spoof rock documentary—rockumentary, if you must—is monumentally influential on cinema, cringe comedy and, possibly, the music industry itself. The "Most Anticipated New Indian Movies and Shows" widget tracks the real-time popularity of relevant pages on IMDb, and displays those that are currently generating the highest number of pageviews on IMDb. Top 100 Movies of All Time. Of course,… Best Marvel movies. Keep track of everything you watch; tell your friends. View All. He picks one up, examines it and nonchalantly chucks it away. Akshay Kumar pays tribute to Legendary Musical Maestro R.D. Renoir captures his sparklingly astute ensemble cast with fluid, deep-focus camera movements, innovations that inspired directors from Orson Welles to Robert Altman.—Stephen Garrett, Rightly considered one of the most focused and suspenseful movies ever made, Steven Spielberg’s tale of a shark terrorizing a beach town remains effective more than four decades later. Shape-shifting her way through Edith Head’s transformational costumes, Kim Novak haunts in two roles: Madeleine Elster and Judy Barton, both objects of desire for James Stewart’s curious ex-cop. (2009). 100) Stand By Me. Eligible movies are ranked based on their Adjusted Scores. A grungy vision of horror captured during a palpably sweaty and stenchy Texas summer, the film has taken its rightful place as a definitive parable of Nixonian class warfare, eat-or-be-eaten social envy and the essentially unknowable nature of some unlucky parts of the world.—Joshua Rothkopf, As unsparing as cinema gets, the influence of Elem Klimov’s sui generis war movie transcends the genre in a way that not even Steven Spielberg’s Saving Private Ryan can match. There’s since been “Die Hard on a boat” (Under Siege), “Die Hard in a hockey arena” (Sudden Death) and even “Die Hard in a private school” (1997’s Masterminds). Lists of recent good movies and award winners. Delicately played, beautifully shot (often with the camera hovering just off the ground), Ozu’s masterpiece is the family movie given grandeur and intimacy. The corruption-soaked story follows a powerful immigrant family grappling with the paradoxical values of reign and religion; those moral contradictions are crystallized in a legendary baptism sequence, superbly edited in parallel to the murdering of four rivaling dons. like December 17, 2020 9:29 am . "All the Best" is a total time-pass comedy which is executed fairly well. It tells of a sailors’ revolt that morphs into a full-blown workers’ uprising in the city of Odessa; the movie is most famous for one breathtaking sequence—much copied and parodied since—of a baby carriage tumbling down a huge flight of steps. All the Best (film) From Wikipedia, the free encyclopedia All the Best is a 2012 Telugu film written and directed by J. D. Chakravarthy. We only hope that audience members instinctively knew not to give away cinema’s first ever twist ending and ruin the sting of this fractured horror-fable for their pals. It’s a template for the swathe of noir flicks that would follow, offering up a jaded-but-noble gumshoe in Humphrey Bogart’s Sam Spade, a femme fatale (Mary Astor), a couple of shifty villains (Sydney Greenstreet, Peter Lorre) and a labyrinthine plot that drags you around by the nose. There is so much to love in Fassbinder’s shag-carpeted showdown, which goes beyond the spectacle of two dueling fashionistas into a profound exploration of aging and obsolescence.—Joshua Rothkopf, Few film movements can boast the hit rate of Italian neorealism, a post-WWII wave dedicated to working-class struggle that seems to comprise only masterpieces. An unyielding critique of capitalism through the story of an everyman’s losing battle to safeguard a hard-earned job and preserve his dignity in the eyes of his son, Bicycle Thieves continues to inform the most humanist works of our time, from Winter’s Bone to Shoplifters.—Tomris Laffly, Christopher Nolan’s brooding, expansive Batman sequel fuses the comic-book flick with the crime epic, and delivers something truly special: a pop spectacle with passages of surprisingly potent despair. 25 best Christmas movies of all time (and where to watch them) Share this article 235 shares share tweet text email link Nate Scott. This is cinema.—Anna Smith, On the road to becoming the most significant filmmaker of the last 20 years, Paul Thomas Anderson transformed from a Scorsesian chronicler of debauched L.A. life into a hard-nosed investigator of the American confidence man. David Fincher’s brilliantly acerbic making-of drama, always finds a way to renew itself for a new generation of film lovers. For newbies, the journey of its bulldozer of a protagonist – played with inexhaustible force by actor-director-wunderkind Orson Welles – from unloved child to thrusting entrepreneur to press baron to populist feels entirely au courant (in unconnected news, Donald Trump came out as a superfan). Their plan, however goes horribly wrong after they get embroiled with a notorious criminal. This quintessential New York movie turned countless viewers on to the joys of verbose dialogue (and experimentation in menswear for women), and has long been lauded for both its accessibility and its poignancy, a balance that few movies have since achieved so memorably.—Abbey Bender, A joy from start to finish, Billy Wilder’s Prohibition-era–set comedy has heart, humor, cross-dressing, Marilyn Monroe and the finest closing line in the history of cinema. The results have been consistently exquisite over the years, funneled into period musical-comedies (Topsy-Turvy) and brutal contemporary dramas (Naked) alike. Still, it’s shocking to remember that The Shining—so redolent of the director’s pet themes of mazelike obsession and the banality of evil—was once considered a minor work. We already have this email. In short, it’s cinematic perfection.—Ian Freer, Made in the middle of Italy’s boom years, Federico Fellini’s runaway box-office hit came to define heated glamour and celebrity culture for the entire planet. Déjà vu! The sight of Chaplin literally feeding himself into a massive machine offers a still-germane satire on technological advancement.—Phil de Semlyen, Film critic Jean-Luc Godard’s seismic directing debut is a bravado deconstruction of the gangster picture that also reinvented moviemaking itself. The film stars Srikanth, J. D. … More like an assassination, since he can’t abide a relative forced to live among the natives. For newbies, the journey of its bulldozer of a protagonist – played with inexhaustible force by actor-director-wunderkind Orson Welles – from unloved child to thrusting entrepreneur to press baron to populist feels entirely, (in unconnected news, Donald Trump came out as a superfan). Its confusion galore everywhere. The unexpected arrival of his elder NRI brother and assorted characters complicates the life of a Goan male. But it’s also just a damn good story that you definitely don’t need to be a hardened cineaste to enjoy.—Phil de Semlyen, Long considered a feminist masterpiece, Chantal Akerman’s quietly ruinous portrait of a widow’s daily routine—her chores slowly yielding to a sense of pent-up frustration—should take its rightful place on any all-time list. December is the time to watch (and rewatch) all of the Christmas movies. There’s a reason why superhero movies are taken so seriously nowadays—even by the Oscars—and this is basically it.—Bilge Ebiri, Charlie Chaplin’s total vision remains awe-inspiring: He wrote, directed, produced, edited and starred in his own movies, which he also scored with an orchestra. To me, accuracy when making a Top 10/Top 100 all time list is extremely important. With countless iconic details—a horse’s severed head, Marlon Brando’s wheezy voice, Nino Rota’s catchy waltz—The Godfather’s authority lives on.—Tomris Laffly, Back in the headlines thanks to David Fincher’s brilliantly acerbic making-of drama Mank, Citizen Kane always finds a way to renew itself for a new generation of film lovers. Director Robert Wiene conjured up something truly dark and lingering from its shadows: You can feel Dr. Caligari’s influence in everything from Tim Burton’s movies to Shutter Island.—Phil de Semlyen, This multilayered epic of country music, politics and relationships is Robert Altman’s signature achievement. The movie has lost none of its relevance or power; if anything, it’s gained some. 1 Lakh from his NRI brother, Dharam, which he uses to fund his band, as well as the dilapidated Gym of his friends, Prem and Jhanvi Chopra. This list is just wack. Of course, it’s a work of profound philosophical thought, too, so you’ll feel brainier for having seen it.—Phil de Semlyen, Worlds collide in Sofia Coppola's pitch-perfect tale of a movie star (Bill Murray) and a newlywed (Scarlett Johansson) in Tokyo. It's a perfect expression of artists’ drive to create, set in a lush Technicolor world shot by the great Jack Cardiff. Movies with 40 or more critic … Henry Fonda’s icy stare, composer Ennio Morricone’s twangy guitars of doom and the monumental Charles Bronson as the last gunfighter (“an ancient race…”) are just three reasons of a million to saddle up.—Joshua Rothkopf, If all it did was to launch a franchise centered on Sigourney Weaver’s fierce survivor (still among the toughest action heroines of cinema), Ridley Scott’s claustrophobic, deliberately paced sci-fi-horror classic would still be cemented in the film canon. Jaws may have set the reputation of those gray-finned creatures back a few centuries, but it took the popular movie thriller to another level, demonstrating that B-movie material could be executed with masterly skill. Of course the action sequences stir the blood—the final showdown in the rain is unforgettable—but this is really a study in human strengths and foibles. Each title is ranked according to its share of pageviews among the items displayed. Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975), 51. It even won him an unlikely Oscar.—Joshua Rothkopf, An antiwar movie, a courtroom thriller, an upstairs-downstairs study of social status, a religious critique, an absurdist satire and, finally, a heartbreakingly futile plea for compassion in the face of destruction, Stanley Kubrick’s humanist masterpiece dissects all the delusional facets of the male psyche. Robert Rossellini was responsible for a few of them, including Germany Year Zero and this earlier drama of repression and resistance, which boasts not one but two of the most memorable death scenes in all of cinema.—Phil de Semlyen, Brace for the land of phantoms and the call of the Bird of Death: One of the earliest (though unauthorized) adaptations of Dracula is still the most terrifying. But Battleship Potemkin is full of powerful images and heady ideas, and director Sergei Eisenstein is rightly considered one of the pioneers of early film language, with his influence felt through the decades.—Dave Calhoun, The only Charlie Chaplin movie to see the Little Tramp go on a massive cocaine binge, this relentlessly inventive silent classic hardly needs the added kick. Since replayed in the Wild West (The Magnificent Seven), in space (Battle Beyond the Stars) and even with animated insects (A Bug’s Life), the original still reigns supreme.—Ian Freer, Can a film really be an instant classic? The turning point was Seven, the first time that Fincher’s fearsome vision arrived uncut. Ironically, the movie’s portrayal of this milieu as vapid and soul-corrodingly hedonistic appears to have passed many viewers by. The Bitter Tears of Petra von Kant (1972), 67. The gang encounters with some spiritual bodies and finds out the truth about the Jamnadas Orphanage where they were brought up. Made at the close of the silent era, it set new standards in screen acting.—Bilge Ebiri, The ultimate cult film, Leone’s spaghetti Western is set in a civilizing America—though mostly shot in Rome and Spain—but the real location is an abstract frontier of old versus new, of larger-than-life heroes fading into memory. As Max von Sydow’s medieval knight travels the land witnessing the apocalypse, loads of life-affirming moments lighten the load. Holiday movie preview:10 must-see new movies to stream while stuck at home, from 'Mank' to 'Soul' In honor of the holiday season, let's rank the 20 best Christmas movies ever: 20 (tie). “Looks like I picked the wrong week to quit amphetamines.”—Phil de Semlyen, Hypnotic, bewitching, thought-provoking, disturbing, horrifying: However you react to it, you won't forget Jonathan Glazer's startling adaptation of Michel Faber's woman-who-fell-to-earth novel. That’s not to say Tobe Hooper’s masterpiece doesn’t deliver. As they imagine—and partly reenact—how their partners might be behaving, they fall for each other while remaining determined to respect their wedding vows. Not forgetting co-director Stanley Donen, who was always happy to let his stars take the credit but deserves an equal share for a musical that never puts a foot wrong.–Phil de Semlyen, Has this one taken its place as Martin Scorsese’s peak achievement yet? Set in 1902, it follows the Gullah, descendents of slaves living off the coast of South Carolina, who painfully reckon with their fading traditions. Check out what we'll be watching in 2021. I would be seriously looking forward to Mr. Shetty work on serious genre and contribute to the progress of Indian Cinema. The dialogue is snappy and delicious; the morals are as empty as Times Square at dawn—Dave Calhoun, This German Expressionist masterpiece came out in 1920, a long time before the invention of the spoiler warning. But Roeg’s real genius was for inhabiting his films with guttural emotions. Max Schreck’s insectlike performance as the bloodthirsty Count Orlok is just as transfixing and repulsive as it was almost a century ago. RT News. Bergman, recovering from a serious bout of pneumonia, wrote the script in the hospital, grappling with a crisis of purpose that he turned into art of the highest caliber.—Joshua Rothkopf, Spike Lee’s bitterly funny, ultimately tragic fresco of a Brooklyn neighborhood during one sweltering summer day was hugely controversial at the time: Critics dinged Lee for his depiction of an uprising in the wake of a police killing. The sci-fi–inflected tale of two halves of a broken-up couple going through a memory-erasing procedure takes many surprising, poignant turns; the film’s impeccably executed combination of authentically quirky imagery and philosophical inquiry has become a signpost of modern independent cinema.—Abbey Bender, The title is still a killer piece of marketing, suggesting something much gorier than what you get. A phenomenon that reshaped Hollywood we all could use some heroes right now, and where... 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